We did a ton of beach remote broadcasts, which were difficult from a technical perspective: we had to hear ourselves, we had to communicate with the person running controls at the studio, and we needed to make sure the audio was good, which was not easy. Since I usually could not hear the music at all, I had to hope I was back-announcing the right record. Even with today’s tech, PD Kevin Weatherly hates them, because it’s almost never a controlled situation.
