AROUND THE STATION
Martin looks fairly normal with a leather vest and checkered shirt. It seems I was intent on being anything but normal.
He was always very kind. Chrissie, on the other hand, was harsh. Somewhere along the line, she developed a habit of refusing to shake hands, which she told me one time getting reacquainted at the Weenie Roast. When, at the end of the interview, I reached out to shake and she was offended. Don't you think of Ray Davies of the Kinks as mild mannered? What on earth was a household like with the two of them.
Kate and Fred stopped by for an interview after I had carved a jack-o-lantern in the KROQ control room. It was a sad time for the band with Ricky having passed just months before. They did not tour for the album. Warner Bros. Promotion person Paul V. was outraged at my criticism of the album.
John Frost was a legendary promotional announcement producer and sound designer. There’s another photo of him floating around here somewhere. Here we are mugging in front of a giant cart rack. He called me Jed The Pudding Fish.
In probably the best shot of the Pasadena control room, a 28 mm lens reveals Devo judging the Rhino Devotees album, for which KROQ listeners submitted their own versions of Devo songs. With phenomenal luck, two of my own made the album. Rhino at the time was known for their wacky, Dr. Demento tastes. Richard Bronson and Harold Foos went for the Warner Bros. payday. I would. The reason in 1978 I was so excited about working at KROQ, is that it was the home of Devo.
Rodney Bingenheimer’s first question would be why does Jed The Fish get to hang out with Mila Jovovich. Kind of trying to not be attracted here, but the Reid Fleming shirt probably sabotaged me from the word go. At the time, it was fashionable to be clean and sober, but I actually did it to save myself. NA keychain. Mila came by the Burbank studio so she could be the movie star who was in Blue Lagoon. The 2000’s had Paris Hilton, and the nineties had Mila. But Hilton wasn’t really in a movie. Here she’s pawing my flab. What a face.
This photo was taken as we were initiating the new studios in 1996. I believe that is Cynthia Takahashi with me in the control room, moving the equipment from the Pasadena studio. As you can see we had already begun to decorate. The filled cabinet was CDs, the empty ones for tape cartridges, or carts.
As you see, Fish is my real middle name. I was 17 when I took and passed the exam for the First Class Radiotelephone Certificate. Issued in Long Beach. This enables one to do technical work on TV and radio transmitters. I just got it to exceed the requirement for a Third Class license. As I had no interest in this, I allowed it to expire. I framed the license, and it became a chopping surface for nasty drugs in the KROQ control room in Pasadena on Los Robles Blvd.
A rare photo of early 1980s KROQ Program Director Rick Carroll to the right of Lou Reed. Jeff Naumann, in the blue shirt, was a promo guy for Virgin in the 80s. Oh, my god. He got so yelled at by Lou that day when he asked him to sign his copy of Metal Machine Music. "Don't you EVAH, EVAH, show me a picture from my past AGAIN!!" Evidently Lou was a little sensitive in early sobriety. In a private moment, he looked at me and could tell I was having problems. He gently assured me if I went to a meeting it would make me smile. Awww!
Debbie Leavitt contact sheet from 1982, KROQ control room in Pasadena. Never a fashion trendsetter, somehow the DJs picked up on the medical scrubs look.
At least I stood up for this one. Erasure with Jed The Fish.
This guy wound up doing 22 studio albums and he is a famous songwriter. John Hiatt is still one of the most popular singers and writers for other artists.
I must have met with Richard Butler a half-dozen times, and we always had laughs. One night before a show at the Forum he asked if I had decent seats, and I said, yeah, not bad. When he came onstage and saw me dead center in the front row, his eyes jumped out of his head. Later he said, he remembered me saying I had decent seat, but he never expected me to be right under his nose whilst singing. I explained that, yes, I can always get free seats, but if I really want to see, I always purchase tickets. On this occasion, I actually asked Goldenvoice if I could buy front row center and they let me, knowing I never ask such things. Note long-time Music Director Lisa Worden on right, left below me is Assistant PD Gene Sandbloom, who today runs Roq of the 80s.
Whadday know. Amazing who you run into in the KROQ control room. I can't figure out why Bonnie Raitt was there, other than to sniff something with our program director. I'm sure he did her the courtesy of actually playing her album for a week. She was sweet.
Edge and Bono did their first-ever streamed podcast from the KROQ control room in Burbank. They brought along Guinness, which was promptly consumed by non-air station personnel. I got Bono to imitate William Boroughs. Smoking like mad. September 19, 1997.
Silly grin. Jed The Fish, Pasadena KROQ control room. Turntables!
Off-the-cuff fizzlebutt sound effects for Out of Order, my Westwood One syndicated radio show. Ron Harris thought to give you a behind-the-scenes video.
Jed The Fish and Dusty Street at a party in Santa Monica. Photo Debbie Leavitt.
You never know if someone's a (relative) one-hit wonder, so you must take care of everyone. The Proclaimers, Scottish bothers Craig and Charlie Reid stopped by for an interview when we were playing I'm Gonna Be. Kevin Weatherly actually had more than one shirt, before he started looking buff in polos. Just outside the KROQ Control Room.
Jennifer Beals, eventually a Yale graduate, could carry herself well in an interview. Aside from Return of the Jedi and Terms of endearment, Flashdance was the highest grossing film of 1983. She impressed me so much, I asked her to take her bra off under her shirt like she did in the movie. It looks like she's dipping me!
My first radio boss ponders the decision of putting a sixteen-year-old on the air. I had a Saturday show where I played what I want, at that time a lot of Chicago, Jethro Tull, and Frank Zappa. He was a most kind and thoughtful individual. KPIN was sold my senior year, and the person who took over was Kevin Weatherly's father, who hurled records at me when I played George Carlin's album track Shit, on the air.
Muscle shirt, no muscles. INXS drummer Tim Ferriss is the clowner-arounder of the band, and I love that they didn't always send Michael Hutchence for interviews. Fun guy.
Working at KROQ was fun, and I’m sure it sounded like it on the air. In back of me, albums, below my right elbow 7” 45rpm singles, the rest hundreds of carts, to my right and in front of me, shelved and stacked. The Grace Jones poster, seen in many photos, was directly to my right. We had creepy green carpet and awful green and red curtains which were never open. This control room had soul, the walls were covered with notes, flyers and photos. Ask me about Sly Stone.
From left: Poorman (what a name) Van Johnson, Dave Gahan, April who couldn’t keep her clothes on, below her Martin Gore, whose guitar skills are vastly overlooked, Alan Wilder, Freddy Snakeskin (never one to push forward for photos), Andy Fletcher, Jed The Fish below Andy, some schleb who ripped off KROQ, and long time WB promoter Chris Crist.
Jed The Fish in the KROQ Control Room, Pasadena, 1983. The ubiquitous Sennheiser 421 microphones.
Once established as Talking Heads members, Chris and Tina ventured out with a solo project. Tom Tom Club had an instant hit with Genius of Love, and I was still wearing free tee-shirts. This was their first son.
My very funny girlfriend in 1989 had Calvary Baptist parents, who once had a sermon villainizing KROQ. Coincidentally, we had the first and only billboard campaign. (KROQ has never advertised since) But my billboard, located near her parents’ house was vandalized. By Jesus Freaks. One of them risked life and limb to remove my name from it. It was a dumbass campaign anyway.
The day I asked him about the lyrics for Hungry For You. The part in question says “Mais non pouvons faire ce que nous voulons.” I asked him why the line said must I pooo poo fester on the poo poo lawn. The way he corrected me indicated it was a serious question. Very English, he said, “No, no, no...,” dramatically descending in pitch. This was before their September 6, 1983 appearance at Hollywood Park, Synchronicity Tour.
Rick Rippey was my producer for 12 years, in my opinion my best years. He encouraged diabolical ideas. Suggests things in just the right way to inspire me. Burbank KROQ control room. Now THIS guy could fix any piece of equipment put in front of him. Note the overbridge, which he and Scott Mason installed. It allowed the cart machines to be places directly over the control board for smoother workflow.
The dawn of professional CD players. You cued them up by hand, almost like vinyl. Sony “Digital.”
Jed The Fish Pasadena KROQ control room. Various radio station stickers were everywhere.
L-R, Asst. PD Gene Sandbloom (creator of the names for KROQ events) and I can't even tell which Ramones showed up that day -- Markie? Ritchie? -- random promo guy, Program Director Kevin Weatherly in the light shirt. Back on the left, Image Master John Frost, preparing to vomit, Sherri Trahan, Richard Blade, Tami Heide, and Jed The Fish in my favorite U2 shirt.
Baseball shirts were a thing. Jed The Fish, Pasadena KROQ control room. There were carts everywhere. Similar to the old 8-track cartridges, these had a continuous loop with a stop tone (to stop the machine the last time someone played it) just before the beginning of each recording. So when you plugged it in to play it, it was always ready. It was quite a reliable system, which is why the cart machines such as ITC existed for 50 years. Hassle recording the cart in the first place, but I did it for the Go-Gos, who gave me a demo lacquer of “Cool Jerk.”
Here was the evolution of the Fishface Outline font adorning this site. The taped on numbers on the KROQ control room cart machines. ITC was our choice of cart machines. Certain songs came from private collectors such as Freddy Snakeskin. If it weren’t for these manually-recorded records, many songs would not have made it on KROQ. You would have done without Barbie and the Kens