Everything phantom

Debbie Leavitt contact sheet from 1982, KROQ control room in Pasadena. Never a fashion trendsetter, somehow the DJs picked up on the medical scrubs look.

Working at KROQ was fun, and I’m sure it sounded like it on the air. In back of me, albums, below my right elbow 7” 45rpm singles, the rest hundreds of carts, to my right and in front of me, shelved and stacked. The Grace Jones poster, seen in many photos, was directly to my right. We had creepy green carpet and awful green and red curtains which were never open. This control room had soul, the walls were covered with notes, flyers and photos. Ask me about Sly Stone.

This was in the Pasadena lobby, on a day when I showed up for work in a bathrobe. My house was two minutes away. Susan Sailor, Dr. Drew’s wife, was the “head” KROQ Bikini Girl, who would book their events. What’s not to love.

There was nothing left to say when your band leader, after 10 years of scoring movies, is calling it quits. No more gold records to be had, hearing going bad, and bandmates so sad, they all autographed this poster from the site of the departure, the once-heralded Universal Amphitheater. Music and movies have never been the same since.

photo Debbie Leavitt

From left: Poorman (what a name) Van Johnson, Dave Gahan, April who couldn’t keep her clothes on, below her Martin Gore, whose guitar skills are vastly overlooked, Alan Wilder, Freddy Snakeskin (never one to push forward for photos), Andy Fletcher, Jed The Fish below Andy, some schleb who ripped off KROQ, and long time WB promoter Chris Crist.

Fat Boy Slim I only met once, at Organic 96, an event that has evidently dropped off the internet, except for this article: https://www.laweekly.com/music/from-organic-96-to-the-hollywood-bowl-the-la-history-of-underworld-5671139
In the late nineties, I was the only one at KROQ supporting him, so yes, Jed The Fish graciously accepts this award.

I think this was for the True Stories album, as David moved closer to a solo career. Always an impeccable dresser. Pasadena control room.

We were toast after visiting with each fan for 10 seconds, but they were fun. The KROQ Calendar appearances went on for a while, and we all did it just because we were supposed to. Great fun. We had a wonderful promotions person, Amy Stevens.

By 1986, Depeche Mode were about to be huge. Here we display a listener license plate in the KROQ control room in Pasadena. Despite claims to the contrary, I played Just Can’t Get Enough the week after it was released in London. I played it because I had heard of the producer, Daniel Miller, who also produced the double a-side single TVOD/Warm Leatherette. Mike Zampelli of Zed Records in Long Beach gave it to me.

Here was the evolution of the Fishface Outline font adorning this site. The taped on numbers on the KROQ control room cart machines. ITC was our choice of cart machines. Certain songs came from private collectors such as Freddy Snakeskin. If it weren’t for these manually-recorded records, many songs would not have made it on KROQ. You would have done without Barbie and the Kens

This was a group actually grateful for their success. This was when they were touring extensively with groups like Depeche Mode, Eurythmics, and INXS. Animotion was from Los Angeles.

Undoubtedly the only straight people with our hands on each other that night, I did not think of her as a comedienne. I thought she was just funny as hell. Ahh, the gays always loved her.

What the hell happened? KROQ used to be a fun station. We not only put out calendars, but gave events for them. This one was in Orange, 1999. Wonderful crowd. Hey, let me know if you have a better guess at the year.

The great Depeche Mode “riot,” 1990, when so many fans showed up at Wherehouse Records the band could not accommodate them all. God forbid they cut off the line and stay an extra hour. It did get dicey with enraged Dmode fans who pounded on the window in view of the band. Warner Bros. then called it a riot to regenerate buzz. As I recall it changed permitting policy in West Hollywood. We would do things like this several times a year with our bands. If KROQ supports you, you’re a KROQ band.

I never saw the Mystic Knights, but Danny Elfman gave me this relic from the 1970s.

Jed The Fish, Cal State Fullerton's Daily Titan

I don't remember who these people are, or which band they are going to see. But remember riding in a limo to a concert is pretty much reserved for the rich. Maybe I shall revise this text when someone comments on their memory, which I hope was good.

Billy Thorpe and the Aztecs. Ask anyone over 40 from down under and they know exactly who he is. A promo person, friend to all at KROQ Jon Scott, brought him around and got us playing his solo record, Children of the Sun. We actually spent a fair amount of time together, so I'm surprised that I can't remember what his music sounds like.

Silly grin. Jed The Fish, Pasadena KROQ control room. Turntables!

He was rumored to have a chandelier goldfish bowl, and sure enough, during a party, I found it. It was actually a terrible interview that day — I was sent all the way to New Orleans for a Nine Inch Nails interview with faulty equipment. I shall restrain myself from identifying the engineer who furnished a bad DAT recorder. I think his name was Paul. To make matters worse, because I had to use Trent’s studio gear, they edited out the part in which I asked him about Marilyn Manson.

You can see John Dolmayan checking me out to make sure I was OK before he went crowd surfing, unbeknownst to me. Later he said I was supposed to take a solo during Sweet Pea, something I would not even do on drugs. Serj began leading the audience in a chant, "Jed The Fish on drums, Jed The Fish on drugs," and a few minutes later I was glad John came back. Somehow he had known I was a drummer long before that.

Here I am wishing I had a piece of Brody Dalle of the Distillers. Soaking wet with sweat and just off the stage, nothing could be a whole lot better. She knew she was what girls call gross but rubbed up on me anyway. #hot

Locked in a cheesy trailer at the KROQ Weenie Roast with then-newcomers Foster the People, I do my best to scramble their name. They were in a good mood.

A rare photo of early 1980s KROQ Program Director Rick Carroll to the right of Lou Reed. Jeff Naumann, in the blue shirt, was a promo guy for Virgin in the 80s. Oh, my god. He got so yelled at by Lou that day when he asked him to sign his copy of Metal Machine Music. "Don't you EVAH, EVAH, show me a picture from my past AGAIN!!" Evidently Lou was a little sensitive in early sobriety. In a private moment, he looked at me and could tell I was having problems. He gently assured me if I went to a meeting it would make me smile. Awww!

My very funny girlfriend in 1989 had Calvary Baptist parents, who once had a sermon villainizing KROQ. Coincidentally, we had the first and only billboard campaign. (KROQ has never advertised since) But my billboard, located near her parents’ house was vandalized. By Jesus Freaks. One of them risked life and limb to remove my name from it. It was a dumbass campaign anyway.

The dawn of professional CD players. You cued them up by hand, almost like vinyl. Sony “Digital.”

We did a ton of beach remote broadcasts, which were difficult from a technical perspective: we had to hear ourselves, we had to communicate with the person running controls at the studio, and we needed to make sure the audio was good, which was not easy. Since I usually could not hear the music at all, I had to hope I was back-announcing the right record. Even with today’s tech, PD Kevin Weatherly hates them, because it’s almost never a controlled situation.

He was always such a genteel person. Shortly after this interview in 1982, he led a crowd of people from the Golden Bear in Huntington Beach across PCH into the Pacific Ocean. His last encore song that night was I Go Swimming, to be release the next year. Here, he's like a scraggly-headed vampire.

Me in tights and tard sitting in a wheelchair in my USC dorm room. My theater major roommate was Gary Wissman, who became an accomplished theatrical stage set builder. Because of affirmative action, I was turned down at every other station I applied to, who all said I was the most qualified for the job, but sorry. A friend Robyn suggested I try KROQ. Before I started the name Jed The Fish.

This was the Weenie Roast which was also called a luau. Tami Heide look on as we discuss various form of torture. This was the year Michael F. Glass and I did the event artwork.

Years away from his gig as a late night talk show host, Jimmy Fallon has always been good natured. Here I am trying to have a conversation with people talking to me in my headphones. Hey Jimmy, do you remember me?