ROCK OF THE 1970’S
The "Virgin" Kennedy, who drove me around for months whilst my license was suspended, is great in photos. Given to plaid design, her personality was huge. Scott Weiland of STP felt hopeless about being on heroin. He believed that unless someone was threatening your career, it was impossible to get clean. I guess I was lucky.
Locked in a cheesy trailer at the KROQ Weenie Roast with then-newcomers Foster the People, I do my best to scramble their name. They were in a good mood.
Amazed that we could sell out what was then Irvine Meadows, I had no idea it would become an exalted event. We were so happy to have hotel rooms, because the staff didn’t want the worry we would show up late. Wearing the shirt. Sometimes we did not get good seats, so I early on got in the habit of buying them both for myself and my guests. When people would ask me for tickets, I would always inwardly groan because I would rather give away no seats than nosebleed.
I was probably heading off after announcing Dramarama. This was before we had two stages.
You can see John Dolmayan checking me out to make sure I was OK before he went crowd surfing, unbeknownst to me. Later he said I was supposed to take a solo during Sweet Pea, something I would not even do on drugs. Serj began leading the audience in a chant, "Jed The Fish on drums, Jed The Fish on drugs," and a few minutes later I was glad John came back. Somehow he had known I was a drummer long before that.
This was the Weenie Roast which was also called a luau. Tami Heide look on as we discuss various form of torture. This was the year Michael F. Glass and I did the event artwork.