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I would have loved talking with the band I was introducing, but I was having too much fun seeing everyone again. The 2014 crowd seemed to have heard of Jed The Fish.

Jed The Fish in the KROQ Control Room, Pasadena, 1983. The ubiquitous Sennheiser 421 microphones.

I have discarded these awards if they had no meaning for me. This one did, because I feel I have a relationship with the band.

Jed The Fish Pasadena KROQ control room. Various radio station stickers were everywhere.

The day I asked him about the lyrics for Hungry For You. The part in question says “Mais non pouvons faire ce que nous voulons.” I asked him why the line said must I pooo poo fester on the poo poo lawn. The way he corrected me indicated it was a serious question. Very English, he said, “No, no, no...,” dramatically descending in pitch. This was before their September 6, 1983 appearance at Hollywood Park, Synchronicity Tour.

I think this was for the True Stories album, as David moved closer to a solo career. Always an impeccable dresser. Pasadena control room.

Elvira and I did a string of appearances together. This one was in Hollywood at a gay club called The Circus. She was on-air for KROQ in 82-83. Always a riot to work with. And of course look at.

Don't be fooled by the smile. This was torture for David Byrne, and he's only smiling because the interview was over. He is one of the truly fascinating artists I have ever spoken with, and I am a huge fan. Not necessarily of the Red Momo album, which he was there to promote, but his work continues. I can't say that about all the greats. Sometimes being a fan does not serve the discussion.

This was a group actually grateful for their success. This was when they were touring extensively with groups like Depeche Mode, Eurythmics, and INXS. Animotion was from Los Angeles.

You can see John Dolmayan checking me out to make sure I was OK before he went crowd surfing, unbeknownst to me. Later he said I was supposed to take a solo during Sweet Pea, something I would not even do on drugs. Serj began leading the audience in a chant, "Jed The Fish on drums, Jed The Fish on drugs," and a few minutes later I was glad John came back. Somehow he had known I was a drummer long before that.

Very seldom do I get a pro to photograph me at work, but Debbie Leavitt was there on Josie Cotton Day, without Josie Cotton. These are her proof sheets, not actual prints.

This was the Weenie Roast which was also called a luau. Tami Heide look on as we discuss various form of torture. This was the year Michael F. Glass and I did the event artwork.

The Weird Science/Dead Man's Party synthesizer. Danny actually asked for this back, and I tried several times to return it. I think it was Leon of Oingo Boingo who sewed the cover for it. If this isn't cool memorabilia, I don't know what is.

Beach remote era KROQ Keychains.

KROQ Music director Lewis Largent. He was a very funny guy and a treasure to work next door to. I need people like him around me to perform. This is Lewis goofing off at an radio station event. My photo.

I bet you have one of these yourself. Really a memory of the passion we have for music.

Whadday know. Amazing who you run into in the KROQ control room. I can't figure out why Bonnie Raitt was there, other than to sniff something with our program director. I'm sure he did her the courtesy of actually playing her album for a week. She was sweet.

Right about the time the world was getting busted for counterfeit shoes, Van's did a promotion with KROQ, and all the Joqs got free shoes. Deese are dem. Cir.1989

From left: Poorman (what a name) Van Johnson, Dave Gahan, April who couldn’t keep her clothes on, below her Martin Gore, whose guitar skills are vastly overlooked, Alan Wilder, Freddy Snakeskin (never one to push forward for photos), Andy Fletcher, Jed The Fish below Andy, some schleb who ripped off KROQ, and long time WB promoter Chris Crist.

Darrell Wayne organized this Pasadena Hilton event in 2006, where all the gory stories were told. Darrell hired me in 1978.

The great Depeche Mode “riot,” 1990, when so many fans showed up at Wherehouse Records the band could not accommodate them all. God forbid they cut off the line and stay an extra hour. It did get dicey with enraged Dmode fans who pounded on the window in view of the band. Warner Bros. then called it a riot to regenerate buzz. As I recall it changed permitting policy in West Hollywood. We would do things like this several times a year with our bands. If KROQ supports you, you’re a KROQ band.

Baseball shirts were a thing. Jed The Fish, Pasadena KROQ control room. There were carts everywhere. Similar to the old 8-track cartridges, these had a continuous loop with a stop tone (to stop the machine the last time someone played it) just before the beginning of each recording. So when you plugged it in to play it, it was always ready. It was quite a reliable system, which is why the cart machines such as ITC existed for 50 years. Hassle recording the cart in the first place, but I did it for the Go-Gos, who gave me a demo lacquer of “Cool Jerk.”

John Frost was a legendary promotional announcement producer and sound designer. There’s another photo of him floating around here somewhere. Here we are mugging in front of a giant cart rack. He called me Jed The Pudding Fish.

Jed The Fish, Cal State Fullerton's Daily Titan

He was always such a genteel person. Shortly after this interview in 1982, he led a crowd of people from the Golden Bear in Huntington Beach across PCH into the Pacific Ocean. His last encore song that night was I Go Swimming, to be release the next year. Here, he's like a scraggly-headed vampire.

Martin looks fairly normal with a leather vest and checkered shirt. It seems I was intent on being anything but normal.

He was always very kind. Chrissie, on the other hand, was harsh. Somewhere along the line, she developed a habit of refusing to shake hands, which she told me one time getting reacquainted at the Weenie Roast. When, at the end of the interview, I reached out to shake and she was offended. Don't you think of Ray Davies of the Kinks as mild mannered? What on earth was a household like with the two of them.

Just after the album, the band came to the Pasadena studio.

Warner Bros. obviously remembers the November 1989 interview as a harrowing experience for David Byrne. It was. I asked questions about creativity, which are the most difficult for an artist to answer. At One point, he replied with a distressed whine. "I - I - I don't know," uptoning on the last syllable.

This was a crazy, barely legal short wave club I belonged to in the 2000s. This is the organization that led me into Class B fireworks (Class A is military, Class C is fireworks stand). Their most notorious members -- The Neckbolt Brothers -- would egg people on to break FCC rules, which of course apply to KROQ as well. Had I followed this path, I might have lost my broadcasting priveliges. I made my mom's chili and won 3rd place.