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In those days, Danny always had a jovial mood for the camera. It was a time I will never remember. Honolulu, Hawaii 1983

Years away from his gig as a late night talk show host, Jimmy Fallon has always been good natured. Here I am trying to have a conversation with people talking to me in my headphones. Hey Jimmy, do you remember me?

Jed The Fish, Cal State Fullerton's Daily Titan

KROQ DJ Tami Heide, signing a tee shirt at an event.

This is the band I was most chummy with. We would get together at Farmers Market, their old hang, and I remember they would talk to their stalkers. Girls would go to FM to see them. They told me it’s important to approach them to humanize the relationship. You want them to know the impact they can have on your normal life just being famous. Not just being a quest. At Ron’s house one night, they played me Interior Design. It was an album devoid of bass parts. Some upper bass synth, but that’s it. I tried in vain to help them justify it. It was a tough listen, because I liked them so much. Rock needs bass if not guitar.

In probably the best shot of the Pasadena control room, a 28 mm lens reveals Devo judging the Rhino Devotees album, for which KROQ listeners submitted their own versions of Devo songs. With phenomenal luck, two of my own made the album. Rhino at the time was known for their wacky, Dr. Demento tastes. Richard Bronson and Harold Foos went for the Warner Bros. payday. I would. The reason in 1978 I was so excited about working at KROQ, is that it was the home of Devo.

I was probably heading off after announcing Dramarama. This was before we had two stages.

This was a group actually grateful for their success. This was when they were touring extensively with groups like Depeche Mode, Eurythmics, and INXS. Animotion was from Los Angeles.

I never saw the Mystic Knights, but Danny Elfman gave me this relic from the 1970s.

Undoubtedly the only straight people with our hands on each other that night, I did not think of her as a comedienne. I thought she was just funny as hell. Ahh, the gays always loved her.

The "Virgin" Kennedy, who drove me around for months whilst my license was suspended, is great in photos. Given to plaid design, her personality was huge. Scott Weiland of STP felt hopeless about being on heroin. He believed that unless someone was threatening your career, it was impossible to get clean. I guess I was lucky.

What was cool about Emily is she had good judgement about who to let in to visit. Fan after fan would ask to see the DJ, and it was actually possible until 2001. There was no way we could see everyone, or we would never be able to work, but Mle would know which exceptions I would appreciate. Bless her heart! I think this was in my kitchen.

This guy is as genteel as Peter Gabriel. Steven Patrick Morrissey, in his solo years. When Johnny Marr was playing with the Smiths, he grabbed a drumstick and bashed his guitar with it during The Queen is Dead. He then threw it right to me. A security guy was --I thought -- trying to grab it from me, but assured me that unless I immediately took it to my car, it would indeed wind up snatched.

There was nothing left to say when your band leader, after 10 years of scoring movies, is calling it quits. No more gold records to be had, hearing going bad, and bandmates so sad, they all autographed this poster from the site of the departure, the once-heralded Universal Amphitheater. Music and movies have never been the same since.

During the Whammy tour, if you took a photo backstage with the B-52s, you had to wear a hat, a wig, or otherwise be goofy. Their last time out with Ricky Wilson, left.

The great Depeche Mode “riot,” 1990, when so many fans showed up at Wherehouse Records the band could not accommodate them all. God forbid they cut off the line and stay an extra hour. It did get dicey with enraged Dmode fans who pounded on the window in view of the band. Warner Bros. then called it a riot to regenerate buzz. As I recall it changed permitting policy in West Hollywood. We would do things like this several times a year with our bands. If KROQ supports you, you’re a KROQ band.

photo Debbie Leavitt

Backstage at the Bowie Glass Spider tour, the most amazing guitar player Adrien Belew, entertains KROQ DJs Lewis Largent and Jed The Fish, Dodger Stadium, 1987. This was the tour Peter Frampton played guitar as well.

At 8 weeks. I could take her anywhere at this age. She just went into a little bag, poking her head out, impressing people (girls especially).

Warren Zevon I miss. Alcoholism. Just adore his music. To Warren's right is KROQ Music Director Larry Groves. Larry was Program Director Rick Caroll's Music Director. He was known for the saying, "Ricky don like it." That's what he would say to promotional people to signal that he had played it for the Program Director, and it got a thumbs down. I call that KROQ logo the party hat logo. 1985. I just added banjo to Werewolves of London, so if you have me dj for you you get mutations like that.

I have discarded these awards if they had no meaning for me. This one did, because I feel I have a relationship with the band. Firstly, I loved Butch Vig, and Shirley Manson was an easy person to know. Although she was quite offended ten years later during an Inland Invasion Jed The Fish interview when I forgot the title of her latest single (Bad Boyfriend).

Rick Rippey was my producer for 12 years, in my opinion my best years. He encouraged diabolical ideas. Suggests things in just the right way to inspire me. Burbank KROQ control room. Now THIS guy could fix any piece of equipment put in front of him. Note the overbridge, which he and Scott Mason installed. It allowed the cart machines to be places directly over the control board for smoother workflow.

He was rumored to have a chandelier goldfish bowl, and sure enough, during a party, I found it. It was actually a terrible interview that day — I was sent all the way to New Orleans for a Nine Inch Nails interview with faulty equipment. I shall restrain myself from identifying the engineer who furnished a bad DAT recorder. I think his name was Paul. To make matters worse, because I had to use Trent’s studio gear, they edited out the part in which I asked him about Marilyn Manson.

This was in the Pasadena lobby, on a day when I showed up for work in a bathrobe. My house was two minutes away. Susan Sailor, Dr. Drew’s wife, was the “head” KROQ Bikini Girl, who would book their events. What’s not to love.

Here was the evolution of the Fishface Outline font adorning this site. The taped on numbers on the KROQ control room cart machines. ITC was our choice of cart machines. Certain songs came from private collectors such as Freddy Snakeskin. If it weren’t for these manually-recorded records, many songs would not have made it on KROQ. You would have done without Barbie and the Kens

Right about the time the world was getting busted for counterfeit shoes, Van's did a promotion with KROQ, and all the Joqs got free shoes. Deese are dem. Cir.1989

Original artwork from Jed The Fish tee shirt, created on the floor during a KROQ music meeting in the 90s. Features the "Dooley" prototype (spermy guy).

Kate and Fred stopped by for an interview after I had carved a jack-o-lantern in the KROQ control room. It was a sad time for the band with Ricky having passed just months before. They did not tour for the album. Warner Bros. Promotion person Paul V. was outraged at my criticism of the album.

Quay Hays was the 1983 KROQ Promotions Director, and organized this wacky photo shoot. He oversaw the logo transition from line drawing (a sticker just above the "Nov") to full color, which was the most beloved logo of all time.

One of my true heroes, Zappa wasn't especially kind when I interviewed him. I honestly was not great at it. He insisted I got into radio to get laid, and actually it was because even as often the best qualified journalism graduate, the news stations were obligated to not hire white men. I simply did not know what else to do. When you meet your heroes, you're often let down. This did little to diminish my admiration and enthusuasm.

The day I asked him about the lyrics for Hungry For You. The part in question says “Mais non pouvons faire ce que nous voulons.” I asked him why the line said must I pooo poo fester on the poo poo lawn. The way he corrected me indicated it was a serious question. Very English, he said, “No, no, no...,” dramatically descending in pitch. This was before their September 6, 1983 appearance at Hollywood Park, Synchronicity Tour.