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DJ appearance at Sandpiper Square, Solana Beach. The chic facing me is so very 80s. Me? I look like I just went to see a dealer.

As you see, Fish is my real middle name. I was 17 when I took and passed the exam for the First Class Radiotelephone Certificate. Issued in Long Beach. This enables one to do technical work on TV and radio transmitters. I just got it to exceed the requirement for a Third Class license. As I had no interest in this, I allowed it to expire. I framed the license, and it became a chopping surface for nasty drugs in the KROQ control room in Pasadena on Los Robles Blvd.

We did a ton of beach remote broadcasts, which were difficult from a technical perspective: we had to hear ourselves, we had to communicate with the person running controls at the studio, and we needed to make sure the audio was good, which was not easy. Since I usually could not hear the music at all, I had to hope I was back-announcing the right record. Even with today’s tech, PD Kevin Weatherly hates them, because it’s almost never a controlled situation.

Martin looks fairly normal with a leather vest and checkered shirt. It seems I was intent on being anything but normal.

He was always very kind. Chrissie, on the other hand, was harsh. Somewhere along the line, she developed a habit of refusing to shake hands, which she told me one time getting reacquainted at the Weenie Roast. When, at the end of the interview, I reached out to shake and she was offended. Don't you think of Ray Davies of the Kinks as mild mannered? What on earth was a household like with the two of them.

Elvira and I did a string of appearances together. This one was in Hollywood at a gay club called The Circus. She was on-air for KROQ in 82-83. Always a riot to work with. And of course look at.

Rodney and I both took credit for supporting Adam Ant. This was probably the day of a show at Perkin's Palace. Since I arrived in 1978, this mural was the only permanent evidence of the radio station's existence. I would describe his mood during my interview that day as charmingly pretentious. The now-defunct Independent Media Center describes Old Town Pasadena in 1981 as “a burnt-out bastion of dive bars, porno parlors and low-end department stores and thrift shops.” Welcome, ADAM ANT!!

You can see John Dolmayan checking me out to make sure I was OK before he went crowd surfing, unbeknownst to me. Later he said I was supposed to take a solo during Sweet Pea, something I would not even do on drugs. Serj began leading the audience in a chant, "Jed The Fish on drums, Jed The Fish on drugs," and a few minutes later I was glad John came back. Somehow he had known I was a drummer long before that.

When Devo was doing clubs, these posters -- with venue particulars -- were for promoters in each city.

Billy Thorpe and the Aztecs. Ask anyone over 40 from down under and they know exactly who he is. A promo person, friend to all at KROQ Jon Scott, brought him around and got us playing his solo record, Children of the Sun. We actually spent a fair amount of time together, so I'm surprised that I can't remember what his music sounds like.

Wendy O. Williams, of the electrical taped-nipples and porn past, was the perfect front woman for a punk outfit. They would destroy things. Cars, TVs. Wielding a chainsaw with a chainsaw voice, she always had political sentiment whether it made sense or not. I can find this poster nowhere online.

During the Whammy tour, if you took a photo backstage with the B-52s, you had to wear a hat, a wig, or otherwise be goofy. Their last time out with Ricky Wilson, left.

Debbie Leavitt contact sheet from 1982, KROQ control room in Pasadena. Never a fashion trendsetter, somehow the DJs picked up on the medical scrubs look.

Likely the most embraced version of the KROQ logo, it was co-designed by KROQ Promotions Director Quay Hays.

When there was a Tower Records in Sheman Oaks, the corpselike countenance of Andrew Eldritch appeared along with two other guys in shades, Jed The Fish and Program Director Andy Schuon, already planning his escape to MTV. While a young lad living in Denver, Andy won a contest by AM/PM to name a thirty-two ounce drink. It’s STILL called the Thirsty-Two-Ouncer. A droll wit and brilliant marketer. 1990.

Darrell Wayne organized this Pasadena Hilton event in 2006, where all the gory stories were told. Darrell hired me in 1978.

Whadday know. Amazing who you run into in the KROQ control room. I can't figure out why Bonnie Raitt was there, other than to sniff something with our program director. I'm sure he did her the courtesy of actually playing her album for a week. She was sweet.

My first week at KROQ -- before I was even called Jed The Fish -- my favorite band arrived in support of their first album. To meet them was an amazing experience, but to speak with them on the air was a dream come true. I blew the interview, but started a long relationship with the band, which I think made the biggest impact on 80s music. Constantly cited as inspirational by so many bands of the era, DEVO made a crazy instrument like the MiniMoog profoundly essential. And no one will ever play the MiniMoog like Mark Mothersbaugh.

Warner Bros. obviously remembers the November 1989 interview as a harrowing experience for David Byrne. It was. I asked questions about creativity, which are the most difficult for an artist to answer. At One point, he replied with a distressed whine. "I - I - I don't know," uptoning on the last syllable.

Backstage at the Bowie Glass Spider tour, the most amazing guitar player Adrien Belew, entertains KROQ DJs Lewis Largent and Jed The Fish, Dodger Stadium, 1987. This was the tour Peter Frampton played guitar as well.

Sarah and I having an intense conversation backstage at the old KROQ Acoustic Christmas. She has more teeth than I do. Funny girl.

Years away from his gig as a late night talk show host, Jimmy Fallon has always been good natured. Here I am trying to have a conversation with people talking to me in my headphones. Hey Jimmy, do you remember me?

I would have loved talking with the band I was introducing, but I was having too much fun seeing everyone again. The 2014 crowd seemed to have heard of Jed The Fish.

My very funny girlfriend in 1989 had Calvary Baptist parents, who once had a sermon villainizing KROQ. Coincidentally, we had the first and only billboard campaign. (KROQ has never advertised since) But my billboard, located near her parents’ house was vandalized. By Jesus Freaks. One of them risked life and limb to remove my name from it. It was a dumbass campaign anyway.

Where’s Josie? This is the day I asked her what her real name was, and she said, “Well, basically Josie Cotton is my name.” A dedicated bimbo. Pasadena control room. A fake protest was staged outside the Pasadena studios. None of the protesters were angry. Gleaming Spires, the Sparks offshoot, was in the studio. Leslie Bohem and David Kendrick.

Chuck Randall arrived at KROQ shortly after I did in 1978. A short-term Joq but a long time friend, he went to Acoustic Christmas with me in 1992. Chuck helped me stay sober as well. I got smart that year and asked for a photo pass.