KROQ clock. An hourly guide for when to play commercials (green areas), play jingles, and most importantly, talk. They don’t remain the same for long. Circa 1994. Kevin Weatherly, program director.
The day I asked him about the lyrics for Hungry For You. The part in question says “Mais non pouvons faire ce que nous voulons.” I asked him why the line said must I pooo poo fester on the poo poo lawn. The way he corrected me indicated it was a serious question. Very English, he said, “No, no, no...,” dramatically descending in pitch. This was before their September 6, 1983 appearance at Hollywood Park, Synchronicity Tour.
As you see, Fish is my real middle name. I was 17 when I took and passed the exam for the First Class Radiotelephone Certificate. Issued in Long Beach. This enables one to do technical work on TV and radio transmitters. I just got it to exceed the requirement for a Third Class license. As I had no interest in this, I allowed it to expire. I framed the license, and it became a chopping surface for nasty drugs in the KROQ control room in Pasadena on Los Robles Blvd.
Debbie Leavitt contact sheet from 1982, KROQ control room in Pasadena. Never a fashion trendsetter, somehow the DJs picked up on the medical scrubs look.
What was cool about Emily is she had good judgement about who to let in to visit. Fan after fan would ask to see the DJ, and it was actually possible until 2001. There was no way we could see everyone, or we would never be able to work, but Mle would know which exceptions I would appreciate. Bless her heart! I think this was in my kitchen.
I got to meet the captain of the QE2. People said, "Oh, Jed, you're going on a cruise!" An Atlantic crossing is no cruise. Waves the size of hills made it feel as though we were sleeping on Viper. Robert Smith of The Cure at that time refused to fly to America.
One of my true heroes, Zappa wasn't especially kind when I interviewed him. I honestly was not great at it. He insisted I got into radio to get laid, and actually it was because even as often the best qualified journalism graduate, the news stations were obligated to not hire white men. I simply did not know what else to do. When you meet your heroes, you're often let down. This did little to diminish my admiration and enthusuasm.
91X personality and smoker Mike Halloran at a 1997 Prodigy concert at the Spruce Goose in Long Beach, Ca.
Jed The Fish in the KROQ Control Room, Pasadena, 1983. The ubiquitous Sennheiser 421 microphones.
We had whiteboards in the Burbank control room. Notes for the jocks and Kevin and Bean. Evidently on this day, I was overdressed. Andy Fletcher in the Burbank control room.
Whadday know. Amazing who you run into in the KROQ control room. I can't figure out why Bonnie Raitt was there, other than to sniff something with our program director. I'm sure he did her the courtesy of actually playing her album for a week. She was sweet.
These guys were as weird as their music. Accomplished jazz musicians, they almost created the group as an insult to the music industry. Very fun to talk to, they relished their mystery. Mystery is something missing from today's art in general. Movies especially. So here I am destroying it. Their real names are Don Fagenson and David Jay Weiss. There was a certain elegance to physically exhibiting an artist's product. There I am with it in my hands. No more.
A rare photo of early 1980s KROQ Program Director Rick Carroll to the right of Lou Reed. Jeff Naumann, in the blue shirt, was a promo guy for Virgin in the 80s. Oh, my god. He got so yelled at by Lou that day when he asked him to sign his copy of Metal Machine Music. "Don't you EVAH, EVAH, show me a picture from my past AGAIN!!" Evidently Lou was a little sensitive in early sobriety. In a private moment, he looked at me and could tell I was having problems. He gently assured me if I went to a meeting it would make me smile. Awww!
For a short time in 1978-79, I was actually the KROQ Music Director. I had only heard about the station less than a year before. It was my responsibility to gain the trust of the record company promotion people, wary of giving us product because so much of it had been stolen by former KROQ DJs. Four scoundrels stealing albums meant I needed twenty meetings with promotion people. One of my first “adds” as MD was to begin playing Dire Straits, which I hated but knew would be successful. Devo’s first album was a no brainer.
Baseball shirts were a thing. Jed The Fish, Pasadena KROQ control room. There were carts everywhere. Similar to the old 8-track cartridges, these had a continuous loop with a stop tone (to stop the machine the last time someone played it) just before the beginning of each recording. So when you plugged it in to play it, it was always ready. It was quite a reliable system, which is why the cart machines such as ITC existed for 50 years. Hassle recording the cart in the first place, but I did it for the Go-Gos, who gave me a demo lacquer of “Cool Jerk.”